Letting the work be, as effortless as possible on my part. Wrong effort is the antithesis of ART.

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canvas and acrylic glass

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"... A line defines space, reflects a mood, it can even develop into language.
A line can be read universally, without socio-economic or ethnic boundaries ..."

"... A musical composition in which one or two themes are repeated or imitated by successively entering voices and contrapunctually developed in a continuous interweaving of the voice part ..."

Topologies of Circles and Ovals

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After THE GREAT PIECE OF TURF by Albrecht Duerer, 1503
on canvas

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oil, ink, acrylics on canvas 18"x14"
20"x16"
40"x30"
60"x36"

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Repurposed silk screens from pre-digital era

The circle is a universal symbol that does not need to be explained.
An experience of focus and acceptance

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On construction board
What appears so solid and serious, monumental and almost archaic, is also about chance and impermanence and play.

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As the Rain is Falling
The mind is quiet
For a moment
In unison with the nature of Now.

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Reversed Glass Paintings
Suite of 14
mixed media, reversed glass on wood, various sizes
November 2017

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Rain and paint on canvas

Suite of 8
mixed media on canvas, 36x18
November 2017

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Suite of 8, numbered
oil and ink on canvas

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The NOW pictures started as a photo project in 2010.
The NOW paintings are a consequential continuum.

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Collage paintings from "The Archives Project"
Suite of 5: collage, oil and mixed media on canvas 60"x48" July 13, 2017

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If art's only purpose would be art, what else could it be ...

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When I go on a journey I bring back pictures. But what I saw is not what is. And what you see is not what I saw.

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From the Archives Project. Color swatches become the starting point, reference and frame work for this series. The spectrum of light we see, colors I like, color theories, RGB - CMYK ... XYZ

The possibility of a dream and beyond, visualized landscapes of my imagination. Inspired by Thomas More (Utopia, 1516).

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From the Archives Project. Source: remnants from the studio

"... is a post-analogue exercise exploring my origins of inspiration. In this case, using digital prints of my own existing work as a starting point for new work ..."

"... White is the sum of all colors - open space in which colors can exist. Therefore, white is the most important element in this series that appears so colorful ..."

"... Only by understanding and appreciating the beauty and fragile complexity of all existence can we try and participate in the efforts of saving our natural world the way we know it ..."

"How the work becomes part of the environment and the environment is reflected in the picture. Always changing."

"... about the possibilities of truly unconscious work: when does one begin, consciously, to consider the unconscious dripping or the colors being accumulated? ..."

"... Is about the physical world and about abstract space, a geographical place and a dream ..."

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"... The series is about myth and science, about the natural environment and the human existence. It is about a longing for space and light and a metaphor for the cycle of life ..."

specifically explores the questions of environment and experience in my work.
Invariably connected on one panel, organized like a diptych: one half painted at the Safford Farm studio in Maine, the other half at the Marblehead studio.

"... Like waking up from a dream. Remembering. Through the process of painting the picture becomes more clear and the memory is present."

"... Is about change, action and reaction, cause and consequence, conservation and transformation, energy and mass. Impact is about the traces we leave behind ..."

"... I am not interested in making images of things. I am interested in image making and our perception and how I can activate information that is within ..."

"... With my work I try to help bridge the space between where we are now and where we would like to be ..."

Is an interactive project requiring the active participation of the viewer for its completion.

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work on industrial rubber, 2011